Moderators: kylervk, Joe, Hank Fist, inx515xhell
TELL THOSE FAGGOTS TO LEARN TO SEND OUT THE RIGHT GOD DAMN ORDERS.Varg wrote:Post script- ask me how many bands from Iowa sent in demos that I "listened to" and threw away...you know in between my coffee fetching time and all.
why would you name your label prosthetic. the word just makes me think prosthetic/fakeinx515xhell wrote:also, what does that even mean?
varg has getting signed to prosthetic on LOCKDOWN.
I'M ROID RAGING, BRO!Varg wrote:Don't see how anyone can argue against that, as you didn't even say anything. u mad?
Post script- ask me how many bands from Iowa sent in demos that I "listened to" and threw away...you know in between my coffee fetching time and all.
CNN!!servo wrote:hey has balloon boy been discussed in this thread yet? it turns out he was just in the attic
i was hoping beaver would weigh in first but ..... you really need to go to more showsNick wrote:
Also, Fred, the bassist in Facecage, is a pretty cool dude even if the band is completely awful. He used to be in my buddies band in high school and even back then he was a pretty good bassist.
I didn't say there is "all this money in touring"...I said the majority of their money comes from touring/merch. Touring is not always a losing situation. Why do you think GWAR tours 360 days out of the year? And I hate to break it to you, but bands aren't getting tour support at all now. If your van breaks down and you can't afford to get it fixed, you're done with that tour. If a venue screws you over on your guarantee, well that sucks, better crash at somebody's house who doesn't mind you eating their food.DaVo wrote: This idea that there is all this money in touring is complete fantasy. Unless the band is at the level where they are playing large venues, touring is a money losing situation. I have yet to come in contact with an indy band that makes huge profits on the road. Most in fact only survive on the road with merch sales and tour support they get from the label.
Again, I will reference Metal Blade. If you become ''too big'' for an indy label they will typically let you go for a variety of reasons. Slagel did that with Metalica, Goo Goo Dolls, Slayer, and a few others. They're never trapped. Even if a label wouldn't let them out for some reason, the band could very easily hire an entertainment attorney (they should already have one) to get them out pretty easily(this falls under that 'a variety of reasons' thing I just mentioned...)I'm not saying that a band can't manage themselves especially if they are a small indy band but reality is that they are limiting the amount of success they will see in the future. It's a who you know business regardless of what you think and there is an indy glass ceiling that they are going to hit. So hey if you aren't interested in running with the big dogs and getting big then sure sign to a small label, sign away your publishing, give away your ticket sales and your merch and let them control your career. Just don't be surprised if you get to the end and realize that someone else owns your music and your dead broke. Look at all those artist that made no money during their career but long after the band was dead and gone, have been lucky enough to make money off their publishing and masters by selling songs for ads, movies and TV. With 360 deals or the Polyphonic model bands and artist would be out of the profit and without control over how and when their music will be sold. Publishing is the future and the real money.
inx515xhell wrote: TELL THOSE FAGGOTS TO LEARN TO SEND OUT THE RIGHT GOD DAMN ORDERS.
y'know, next time you're bringing them coffee.
moltar wrote:
I'M ROID RAGING, BRO!
How many bands from Iowa sent in demos that you "listened to?"
Any chance the High Rollers can get on your label?Varg wrote:moltar wrote:
I'M ROID RAGING, BRO!
How many bands from Iowa sent in demos that you "listened to?"
Zero, I didn't listen to them, I threw them away. Actually, I probably would've listened to the "first few seconds".
I think Only sent something on the myspace, but it was a generic plea they seemed to expect wouldn't be responded to. I think Destrophy did something similar as well.
moltar wrote:I'd break that junk into tiny little pieces.
Varg wrote:
Zero, I didn't listen to them, I threw them away. Actually, I probably would've listened to the "first few seconds".
K, then I could check out that fairy on your ankle and gecko on your shoulder? Trendy?Varg wrote: You said jackfuck- AND then said somebody else talks like a bitch? LOL- you truly are the 98 lb weakling. Come talk to me like that in person sometime and we'll see how permanent that trendy little tattoo of yours is.
yeah all the brodudes and hipsters are beating down the doors getting an 'ohm's power wheel' tattoo to cover up their tribal arm bands. oh Varg you pathetic shithead you truly are reaching.jjjsXe wrote:
Wow, It is great to know that your awesome record company supports the music so honestly and give bands a bit of a chance. You guys run quite a fair business over there, not elitist at all! Way to support music!
Sorry, but tattoos are for fags, much like yourself. You might as well have gotten a giant penis or "conpasion" tattooed on your forehead.JoePreppy wrote: K, then I could check out that fairy on your ankle and gecko on your shoulder? Trendy?
bwahahaha start the countdown faggot!Varg wrote: Think you're the only person with that tattoo? Let's give it a year and see how you feel...and who you identify with then.
